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4x5 Images

Larger image formats like 4x5 are less flexible and more difficult to shoot. But they produce a quality of image which other formats cannot rival, and fine art prints that take the breath away. This is my preferred format for landscape imagery.
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Rainbow of Trees
Zion Natl. Park
Utah
October 1998
Toyo 4x5 Field Camera body, Schneider 150mm f8 APO-Symmar lens.
1/2 Sec. at f32
Sunset at Second Beach
LaPush
Washington Coast
March 2000
Toyo 4x5 Field Camera body, Schneider 150mm f8 APO-Symmar lens.
1/2 Sec. at f22.5
Sunset Fire
Lummi Island
Puget Sound
July 2002
Toyo 4x5 Field Camera body, Schneider 150mm f8 APO-Symmar lens.
1/2 Sec. at f22.5
The Furnace
Antelope Canyon
Arizona
October 1998
Toyo 4x5 Field Camera body, Schneider 150mm f8 APO-Symmar lens.
2 Min. 30 Sec. at f32.5
The Sentinel
Kalaloch
Washington Coast
March 1997
Toyo 4x5 Field Camera body, Schneider 150mm f8 APO-Symmar lens.
1/8 Sec. at f22.5
Tranquil Evening
Mount Rainier Natl. Park
Washington Cascades
September 2006
Toyo 4x5 Field Camera body, Schneider 150mm f8 APO-Symmar lens.
8 Sec. at f32
Virgin River Cascade
Zion Natl. Park
Utah
October 1998
Toyo 4x5 Field Camera body, Schneider 150mm f8 APO-Symmar lens.
1/8 Sec. at f22.5
Virgin River Maples
Zion Natl. Park
Utah
October 1998
Toyo 4x5 Field Camera body, Schneider 150mm f8 APO-Symmar lens.
2 Sec. at f22
White Salmon Morning
White Salmon River
Columbia Gorge
September 2006
Toyo 4x5 Field Camera body, Schneider 150mm f8 APO-Symmar lens.
12 Sec. at f32
Window of Light
Arches Natl. Park
Utah
October 1998
Toyo 4x5 Field Camera body, Schneider 150mm f8 APO-Symmar lens.
1/2 Sec. at f32
Winters Face
Icicle River
Washington Cascades
December 2001
Toyo 4x5 Field Camera body, Schneider 150mm f8 APO-Symmar lens.
1/4 Sec. at f22.5
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Formats
35mm
4x5
Digital